Filmmore
Visual Effects & Post Production
News
23-05-2013
A conversation with successful duo Sándor Soeteman and Frank Ketelaar
Filmmore editor Sándor Soeteman and screenwriter/director Frank Ketelaar have spent the past year working hard on the editing of the second season of the hit series Overspel: 10 new episodes of about 50 minutes each. Sándor and Frank have worked together since 2001 – a long and fruitful cooperation that means they can, in their own words ‘read one another like a book’. …
14-05-2013
Filmmore: seven years on
Seven years ago, Filmmore was set up by a group of post-production professionals disillusioned with the status of feature films and drama as ‘second-class citizens’ in a market dominated by large companies working on commercials. They decided to go against the flow and set up a company that specialised precisely in these areas. …
13-05-2013
Amat Escalante about colour grading Heli at Filmmore
Director Amat Escalante was grading his film Heli at Filmmore Amsterdam when he received a very pleasant phone call: Heli has been selected to screen in the official competition at Cannes. We asked him for a brief response and an insight into his new film: cinematographer Lorenzo Hagerman was very pleased with the work of Martin Klein: he even called him the best colorist he has worked with! …
We are specialized in
Editing

Sweet Love
Editor Marcel Wijninga edited the short children’s film Sweet Love by director Albert Jan van Rees, produced by Family Affair Films. In this blog, he tells us why this film – which features singing children and lots of sweets – was a real labour of love.
Visual Effects

Background plate upgrade: Gigapan Epic Pro
Filmmore recently upgraded to the best possible device for creating a plate panorama picture: the GigaPan Epic Pro. VFX supervisor Kasper Oerlemans explains how and why.
Grading

Camera evaluation for TV Drama
Wim van Slooten takes a closer look at the Arri Alexa, Red Epic and Canon C500 and the discusses the decisions Filmmore has to make when evaluating cameras for a TV drama workflow.
We also worked on
Film
I’m the same, I’m an other
Caroline Strubbe’s highly anticipated follow-up to her feature debut, the Cannes Critic’s Week hit Lost Persons Area.
TV Drama
Zusjes
A tragi comical series about searching adolescents and the derailed clumsy adults who are their parents. Sisters Mitzi and Eefje leave their parental home.
Documentary
The New Wildernis
The New Wilderness is a large wild life documentary, made in the tradition of the award-winning BBC nature productions. The film contains new and exclusive material about life in the Oostvaardersplassen.











